Norbulingka Institute, Kangra Valley, Himachal Pradesh

Norbulingka Institute, Kangra Valley, Himachal Pradesh

Norbulingka Institute, Kangra Valley, Himachal Pradesh

Norbulingka Institute, founded in 1995 by Kelsang and Kim Yeshi at Sidhpur, near Dharamshala, India, is dedicated to the preservation of the Tibetan culture in its literary and artistic forms. 

For those tourists running the monastery circuit of Himachal Pradesh, far in the northern reaches of India, Norbulingka Institute might be something to consider. This crafts training and cultural institute are open to foreigners interested in learning more about Tibetan history and culture. Although not a working monastery, the property is fashioned with similar architecture and does house a temple on site.

I briefly stopped out of curiosity after a stay in Mcleodganj, north up the road via a long taxi or bus ride. Visitors are required to stop at the front desk and sign in. Here the attendants working on the day I arrived were both soft-spoken and extremely friendly.

Here are some details:

I simply stated my interest was to poke around, snap some photos, and relax my mind. Without any hesitation, a free guide was offered as well as a welcome gesture to roam at my leisure. I declined the guide to assuage any time constraints and set off on the unbelievably manicured pathways through the gardens.

As if I had walked into a different time and place, the grounds at Norbulingka were brimming in green foliage, the sound of the water laughing around every turn. Along the route toward the temple, far in the back of the property, Norling Guest House passed on my left side.

These accommodations are open to any paying tourists. And who wouldn’t want to stay here? Modern conveniences are plentiful including full-time running hot water and even A/C in the summer.

Buddhist prayer flags cling to trees and poles as if they were naturally occurring. Brightly painted rocks seen at any monastery were on display near makeshift shrines. And of course, the ubiquitously painted buildings in the Buddhist fashion dotted the pathways on either side. Eventually, I came upon what must be a nerve center for the Institute.

  • Address: Palampur – Dharamshala Rd, Sidhpur, Himachal Pradesh 176057, India
  • Hours: Closes soon⋅ 5:30 PM ⋅ Opens 9 AM Sun
  • Phone: +91 98821 44210
  • Founded: 1995

Norbulingka Institute, Kangra Valley, Himachal Pradesh 2021

A perfectly symmetrical building with rooms on two levels sat before me on a slightly higher elevation. A pond built-in front required a footbridge to cross. Large flowering plants enjoyed the space between the pond and building with ample sunlight to feed them from above. At the end of the bridge is a two-sided prayer wheel with directions for entering and exiting.

Before reaching the temple, know visible in the distance, guests walk past the doll museum and gift shop. I passed on the museum thanks to the exorbitant entry fee but it would prove interesting to those intrigued by Tibetan arts and crafts. The Losel Doll Museum houses a unique collection of 150 costumed dolls depicting the regional, official, and monastic costumes of Tibet.

The gift shop, on the other hand, is a must-see education on how to properly execute a retail shop. Photography was prohibited past the front door and for good reason. Simple, elegant, and well merchandised, the gift shop was stocked with truly unique items I haven’t seen in other Tibetan shops. Immediately it was clear this was high-end shopping.

Finally, the temple was begging to be seen. Brightly painted walls, rich in detail and color, stood high before myself and a few other foreign tourists who had found their way. Inside, the interior was cool and quiet.

Norbulingka Institute, Kangra Valley, Himachal Pradesh in 2021

I was alone, uninterrupted by voices or any sounds which I took advantage of by quickly making my way around the building; Camera snapping, feet bustling, ten minutes was enough time.

It dawned on me as I made my way back to the entrance that Norbulingka is using luxury to attract its visitors. The concept of promising a crash course on Tibetan thinking, history, and culture brings in guests, and like Disneyland, you keep them occupied in their downtime with shopping and eating.

Things were looking pretty good around here. Modern guest house facilities, high ticket prices in the gift shop, and a high entrance fee to the doll museum clashed a bit with my impression of Tibetans, a group done wrong by the Chinese government

A multi-cuisine eatery sits near the entrance offering Italian, Tibetan, Chinese & Indian dishes. Where else can you seek enlightenment at 6:00 A.M. in the temple and eat cake and sip espresso by 11:00 A.M. in the cafe just steps from your A/C cooled room?

Norbulingka is fascinating for many reasons. Should you choose to stay in the guest house or just drop by as I did, your efforts to get here are generously rewarded.

Plan for a minimum of one hour to walk the grounds, longer if dining or requiring prayer time in the temple. The entrance is free. Visiting hours from 8 A.M. to 6 P.M. Daily.

Conclusion:

In the early 1980s, Kelsang Yeshi, Minister of the Department of Religion and Culture, and his wife Kim Yeshi began to envision an institute in India that could act as a cradle for the revival of Tibetan art and provide a haven for the artists will practice. their crafts.

The goal was to return Tibetan art to its former glory, following the strictest standards in terms of material selection, quality of craftsmanship, and adherence to traditional methods.

With the growing interest in Tibetan culture in India and abroad, Norbulingka could also serve as an emissary of Tibetan culture, a place where people could come and witness the work of artists and immerse themselves in a Tibetan community during a late or a few days.

The growing fascination for Tibetan Buddhism internationally created a demand for exceptionally elaborate art objects, which would make the project sustainable.

With generous donations from many patrons who believed in the vision of Norbulingka, the land was purchased in 1984 and construction began in 1988.

The ground plan was designed to follow the proportions of Avalokitesvara, the deity of compassion. The workshops and offices were to be constructed in the shape of his thousand arms.

The temple would be his head, while in the middle would be a water spring, representing his heart, emanating kindness to all living beings.

In the beginning, most of the artists were employed for the actual construction of the institute, which was designed in a traditional Tibetan architectural style.

Woodcarvers and carpenters helped to erect the buildings, while thangka painters worked tirelessly to complete the frescoes on the walls of the temple.

Meanwhile, our team of statue-makers was absorbed in the construction of a 14ft gilded Buddha to grace our temple, crafted from hand-hammered sheets of copper.

According to Norbulingka org

In 1995, His Holiness the Dalai Lama officially inaugurated the Norbulingka Institute. Gradually, Norbulingka came to include nine workshops that included thangka painting, statue making, thangka applique, wood carving, applique, wood painting, tailoring, weaving, and screen printing.

Product lines were created for each section that incorporated modern tastes with Tibetan design. An administrative team was formed to help manage the institute and maintain standards, and a research section and university were added to promote Tibetan scholasticism.

dalai lama

While there have been many challenges along the way, we have remained dedicated to our vision and commitment to providing employment and training to Tibetan refugees.

Regardless of the resources and people available to us, we incorporate them into our evolving Institute, always with an eye to the future of how we can better adapt to changing needs.

And where the area around Norbulingka was once just fields, a thriving Tibetan community filled with cafes, restaurants, shops, and homes has emerged.

Now, more than twenty years later, all of our original teachers have passed away and it is now their students who carry the legacy forward.

The quality of our craftsmanship is maintained at the highest level today, a testament to the dedication of our masters and the impeccable transmission of their craft.

Leave a Reply

Your email address will not be published. Required fields are marked *